It's the biggest camera in my arsenal and it still hasn't been reviewed here. What? This is where we change that!
The Pentax 6x7 generations
It all started with the mother of all medium format 67 cameras in 1966. In that year the prototype Pentax 220 was introduced at the Photokina event. This was developed into the first generation Asahi Pentax 6x7 (called Honeywell Pentax 6x7 for the US market) that was released in 1969. This was basically a blown-up version of the Pentax Electro Spotmatic (ES) series with an interchangeable view prism and shooting 120/220 film instead of 135. In 1976 a second generation model called the Pentax 6x7 (MLU) was released, this featured a mirror lock-up system. This was followed in 1990 by the third generation Pentax 67. This featured some cosmetic changes. The fourth and last version was released in 1999 and this is the Pentax 67II. This is a thoroughly modernised version with introduced a hand grip on the right side of the camera body, new digital displays on the outside and in the viewfinder and a departure from the fragile light-metering system of the previous generations. Also aperture priority exposure metering was possible for the first time with the Pentax 67II.
Specifications
Camera: Pentax 67II
Built: 1999-2009
Mount: Pentax 67
Shutter speeds: 4 seconds - 1/1.000th of a second, B manual, 30 sec. - 1/1.000th of a second, auto
Self timer: no
Size: Huge! Okay, 185,5 mm wide, 151 mm high and 106 mm deep
Light metering: yes, TTL auto exposure control
Hot shoe: no
Battery: 2x CR123A
The Pentax 67II feels like a giant film SLR and it pretty much functions as such. If you were ascending into the world of medium format and already familiar with classic pre-AF 135 cameras like the Pentax Spotmatic or K1000 you'd have no problem operating any Pentax 67 model camera. Yes, it is huge, the mirror slaps harder than your girlfriend when she's mad at you and said mirror is probably bigger than the one in your bathroom but it is such a joy to use. The shutter sound is not too loud and actually very pleasing.
All Pentax 67 cameras use 120 and 220 medium format film. These days you'll likely only use 120 film as 220 film has been discontinued but if you are that lucky son of a gun that has some expired 220 film in your freezer you're good to go shooting it with this camera. Due to the way it is built - like a giant SLR - there is no option to digitize the 67II body. Personally I don't mind. With the advent of digital medium format cameras we have those options elsewhere. Of course, you can always scan your negatives and quite frankly, using a 67II like a digital camera is not what it is about.
With the Pentax 67II you are slowing your photography. With only ten photos on a roll of 120 film you become selective, considerate, almost meditative when shooting. And each time that shutter slaps you just know that it is going to be good.
In the field
As part of our Atlantikwall series Joeri van Veen and I set out for those giant bunkers once again last weekend. This time I brought the Pentax 67II with me, together with the Super-Multi-Coated-Takumar 55mm f/3.5 wide angle lens and the Super-Multi-Coated-Takumar 105mm f/2.4 standard lens. Below you'll find some images of that photo shoot.
Click on the images to enlarge













































