Camera review: The Pentax 67II

It's the biggest camera in my arsenal and it still hasn't been reviewed here. What? This is where we change that!

An F-84F preserved at the former Luftwaffe base in Memmingen. The original scan of this 6x7 negative has a 55.5 megapixel count! (since sized down for this blog)

The Pentax 6x7 generations

It all started with the mother of all medium format 67 cameras in 1966. In that year the prototype Pentax 220 was introduced at the Photokina event. This was developed into the first generation Asahi Pentax 6x7 (called Honeywell Pentax 6x7 for the US market) that was released in 1969. This was basically a blown-up version of the Pentax Electro Spotmatic (ES) series with an interchangeable view prism and shooting 120/220 film instead of 135. In 1976 a second generation model called the Pentax 6x7 (MLU) was released, this featured a mirror lock-up system. This was followed in 1990 by the third generation Pentax 67. This featured some cosmetic changes. The fourth and last version was released in 1999 and this is the Pentax 67II. This is a thoroughly modernised version with introduced a hand grip on the right side of the camera body, new digital displays on the outside and in the viewfinder and a departure from the fragile light-metering system of the previous generations. Also aperture priority exposure metering was possible for the first time with the Pentax 67II.

Photo: Joeri van Veen

Specifications

Camera:                Pentax 67II

Built:                    1999-2009

Mount:                  Pentax 67

Shutter speeds:     4 seconds - 1/1.000th of a second, B manual, 30 sec. - 1/1.000th of a second, auto

Self timer:            no

Size:                     Huge! Okay, 185,5 mm wide, 151 mm high and 106 mm deep

Light metering:     yes, TTL auto exposure control

Hot shoe:              no

Battery:                2x CR123A

Photo: Joeri van Veen

Using the Pentax 67II

The Pentax 67II feels like a giant film SLR and it pretty much functions as such. If you were ascending into the world of medium format and already familiar with classic pre-AF 135 cameras like the Pentax Spotmatic or K1000 you'd have no problem operating any Pentax 67 model camera. Yes, it is huge, the mirror slaps harder than your girlfriend when she's mad at you and said mirror is probably bigger than the one in your bathroom but it is such a joy to use. The shutter sound is not too loud and actually very pleasing. 

Photo: Joeri van Veen

All Pentax 67 cameras use 120 and 220 medium format film. These days you'll likely only use 120 film as 220 film has been discontinued but if you are that lucky son of a gun that has some expired 220 film in your freezer you're good to go shooting it with this camera. Due to the way it is built - like a giant SLR - there is no option to digitize the 67II body. Personally I don't mind. With the advent of digital medium format cameras we have those options elsewhere. Of course, you can always scan your negatives and quite frankly, using a 67II like a digital camera is not what it is about. 

 

Photo: Joeri van Veen

With the Pentax 67II you are slowing your photography. With only ten photos on a roll of 120 film you become selective, considerate, almost meditative when shooting. And each time that shutter slaps you just know that it is going to be good.

Photo: Joeri van veen

In the field

As part of our Atlantikwall series Joeri van Veen and I set out for those giant bunkers once again last weekend. This time I brought the Pentax 67II with me, together with the Super-Multi-Coated-Takumar 55mm f/3.5 wide angle lens and the Super-Multi-Coated-Takumar 105mm f/2.4 standard lens. Below you'll find some images of that photo shoot.

Click on the images to enlarge

Atlantikwall - chapter one

After a slow start this project is gaining traction. Last month Joeri and I visited the Bunker museum in IJmuiden to gain some background knowledge on the Atlantikwall, information that we could incorporate into our project. Last week we returned to that area as there is a collection of Atlantikwall bunkers half buried in the dunes there. Once part of the Vestung IJmuiden (IJmuiden citadel), these once mighty fortifications now seem to function mostly as canvas for intrepid spray can artists. 

On this part of the journey, I opted for the Fujifilm GFX 100S II fitted with the Fujinon GF 45-100mm f/4 LM OIS WR lens. Given that the day was mostly cloudy I wanted black and white images and selected the Fujifilm Acros with red filter film simulation to get that effect.

This is a Krupp built 120mm naval gun dating from 1896. Guns like these would have armed the now empty bunkers. This particular gun was placed aboard the cruiser Hr. Ms. Friesland. When Friesland was taken out of service in 1913 her 120mm cannons were removed and used for coastal defense.

Joeri in action. Check out his thoughts here.

Range finding bunker in front, gun bunker behind.

Buried in the dunes.

What's up doc?

Machine gun position.

Nature always wins.

Click on the photographs to enlarge.

Going forward I intend to add medium format film to this project. I've acquired a couple of Harman Technology rolls especially for this project and will probably use a Pentax 645 or Pentax 67 to shoot them with. 

Atlantikwall - prologue

The coastal landscape from the top of Norway to the southern tip of France is dotted with relics from another time. These are largely the result of a building frenzy from 1942 to 1944, bunkers and casemates built in defence of the German Reich to repel an enemy invasion. This was known as the Neue Westwall (New West Wall) at first but is better known as the Atlantikwall (Atlantic Wall) today.

A photography project

Atlantikwall is a photography project that I will be pursuing together with fellow photographer Joeri van Veen. As of yet I haven't decided what formats and media I will use for this project so film and digital, 120 and 135, medium format and full frame, colour and black and white are all options. It is tempting to make this a medium format project but there are several advantages to using the smaller 135/full frame format as well so I guess we'll see! ;-)

The focus of this project will be the Atlantikwall fortifications in the Netherlands. Perhaps not surprisingly because of the D-Day landings in Normandy it is the Atlantikwall in France that is getting the most attention. However France is by no means the only country affected by Führer Direktive (directive) No. 40 'Sicherung gegen feindliche Landungen an der europäischen Küsten' (defence against enemy landings on the European coast) dated the 23rd of March, 1942. The Netherlands was similarly affected. This project will tell part of that story.