Adapter review: The Fittings4you Exakta lens to Canon EOS camera adapter

The adapter

This review is about the Fittings4you Exakta lens mount to Canon EOS camera adapter. Now, I usually don't review adapters but I made an exception here, there are a few thing one needs to know before ordering an Exakta lens mount to Canon EOS camera adapter. My adapter is manufactured by Fittings4you but I suspect that my experiences apply to all brands.

The adapter fitted on the Oreston 50mm f/1.8

Specifications

Adapter:               Fittings4you Exakta lens mount to Canon EOS camera adapter

Camera mount:     Canon EF

Lens mount:          Exakta

Ihagee, the manufacturer of the Exakta cameras, never built lenses for their cameras. Manufacturers such as Meyer-Optik Görlitz, Carl Zeiss Jena, Schneider-Kreuznach and Isco Göttingen (to name just a few) were responsible for the construction of lenses with the Exakta mount. These manufacturers each built their own 'version' of the Exakta mount and this is important to know when using such an adapter. I found that my Meyer-Optik Görlitz lenses fit this adapter perfectly, however my Carl Zeiss Jena lenses simply won't fit. 

Another shot of the Oreston

Fitting the adapter on any kind of EOS camera is simple enough, I've tried several film and digital Canon EOS bodies and they all fit perfectly. There is no play whatsoever. However, there are a few practical issues when using Exakta mount lenses on a Canon EOS body. 

1. When using Meyer-Optik Görlitz lenses I found that when shooting with a film of full frame digital camera the mirror will not return to the 'down' position after taking a shot. I have not been able to test this with the Carl Zeiss Jena lenses I own since they won't fit this adapter but I would assume that this would be the case with any other brand too. A digital EOS with an EF-S mount has no such problems.

2. Exakta mount lenses usually come in two variants, those with and without an aperture coupling device that protrudes from the lens. The design of the built-in flash on the EOS xxD, xxxD and xxxxD bodies prohibits the use of lenses fitted with this device as there is simply no room to fit and to turn the lens. The built-in flash protrudes too far from the camera body. Lenses without this device work without problems.

Shooting

Unhappy leaves (Lydith 30mm f/3.5)

On my Canon EOS 90D the adapter fits snugly. I've been taking shots using the Meyer-Optik Görlitz Lydith 30mm f/3.5 and Oreston 50mm f/1.8. The fit of both lenses is good, no play whatsoever. This adapter will allow me to get to know these lenses a lot better and that is a big plus. Just too bad that I cannot use them on my full frame camera. But when factoring in the limits you can have a lot of fun with these old lenses on your Canon EOS camera with an APS-C (crop) sensor.

Winter 2023

Now that spring has arrived I find myself looking back to winter - my photography last winter that is. So what have I been up to in the last three months?

45 Squadron Phenom 100 ZM337 landing at RAF Cranwell

Winter weather

Contrary to popular belief we sometimes actually have winter weather in Dutch winters. Not much, true, but I guess we lucked out. With actual ice and snow around my good friend Joeri and I dropped everything we were doing and headed out into the freezing cold.

Joeri trying out my Pentax 50mm f/1.2 lens

Skating at Lake Naarden

Just a few days before I managed to get my hands on a 45mm pancake lens. A perfect time to see what this could do. Joeri thought pretty much the same thing, trying out my Pentax 50mm f/1.2 lens on his Sony A7. Check out his thoughts on this combo.

My small automobile after the first snow

Snow on the meadows

More snow on the meadows

Sadly the snow thawed away after a few days, being replaced by rain...

Carl Zeiss Jena Biotar 80mm f/2.8

Another find was a pristine Carl Zeiss Jena Biotar 80mm f/2.8 P6 mount lens at a local photography fair. I was keen to put this lens through its paces so I called up Joeri and off we went.

No trespassing

Joeri toting his trusty Sony A7

The grey brick road

In this case I grabbed my Pentax 645Z and used an P6-Pentax 645 adapter. I am very satisfied with the way the lens performed, this copy is a keeper.

Canon EF 35mm f/2

Another lens I got acquainted with was the Canon EF 35mm f/2. I've had this lens for a while now but somehow I always reached for the 24-105 or similar lens when out and about with my Canons. This is the original 35mm, not the later IS version. I actually enjoyed the 35mm more than I expected. I shot both digital and film with this lens, here is an example of a film shot:

Soviet anti-aircraft gun at the Vesting Museum

Ihagee Exa Ia

This winter I bagged not only a few lenses but a new (to me) camera as well. 

Ihagee Exa Ia fitted with a Domiplan 50mm f/2.8

This really is a fun little camera. It certainly is different from the mainstream cameras and I guess that this is part of the fun. I did a write-up of my experiences if you're interested.

Cobra Warrior 2023

In the last days of March I decided to travel to the UK to catch RAF exercise Cobra Warrior 2023. With aircraft from faraway places like India and Saudi Arabia attending this made for an interesting few days in England.

An Indian Mirage 2000 in typical English weather

The flight line at RAF Barkston Heath

A Finnish Air Force Hornet in the evening sun

Flying daily patrols over eastern Europe is this RC-135W

All in all I am quite pleased with the shots I managed to take.

Camera review: The Exa Ia

The camera

This review is about the Ihagee Exa Ia single lens reflex camera. Ihagee from Dresden in Germany is perhaps most well known for their Exakta line of cameras but they also manufactured the Exa line of cameras alongside the Exaktas. Three models were produced, the Exa (1951-1962), the Exa I series (1962-1987) and the Exa II (1960-1969). The Exa and Exa I are basically different versions of the same camera with interchangeable view finders. The Exa II was a simplified camera that was produced alongside the Exa and Exa I.

Ihagee Exa Ia fitted with a Meyer-Optik Görlitz Lydith 30mm f/3.5

All Exa cameras, with the exception of the Exa Ib and Ic, use the Exakta mount that Ihagee introduced with their Exakta cameras. The Exa Ib and Ic use the M42 mount, enabling the use of loads of M42 lenses from all kinds of manufacturers. Ihagee didn't manufacture lenses for their Exakta's and Exa's themselves, this was done by companies such as Carl Zeiss Jena, Meyer-Optik Görlitz and others. 

The Exa cameras have a guillotine type shutter rather than the more usual focal-plane shutter. This results in slower shutter speeds than we are used to these days with a modest top speed of 1/175th of a second.

Specifications

Camera:                Ihagee Exa Ia

Built:                    1962-1977

Mount:                  Exakta

Shutter speeds:     1/30th - 1/175th of a second, B

Self timer:            no

Size:                     130 mm wide, 97 mm high* and 46 mm deep

Light metering:     no

Hot shoe:              no

Battery:                none

* with the pentaprism viewfinder fitted

Shooting

My copy is an Exa Ia built in the mid-1970s. It has the Exakta mount and was also built with different names (Elbaflex 175, Exakta 100 and VX-100). I managed to obtain my Exa Ia together with a few lenses and an Exakta camera which needs some TLC before I can shoot with it. The Exa is pristine and works like a charm. I love the simple smooth lines of these cameras and part of the attraction of the Ihagee cameras stems from the fact that they were built in Dresden as there is a family connection there.

Using this camera feels very intuitive apart from the shutter button, this is located on the left side of the camera body. This is a leftover from the early Exakta designs, kept in place to be able to use the same automatic aperture lenses that the Exakta uses.

I've used two lenses on the Exa thus far, the Meyer-Optik Görlitz Domiplan 50mm f/2.8 and the Meyer-Optik Görlitz Lydith 30mm f/3.5. I also own an Exakta-Pentacon six adapter that I wanted to use with the Carl Zeiss Jena Biotar 80mm f/2.8 but alas, this adapter doesn't lock into place in the mount of my Exa. I've got a few more 50mm lenses and a 135mm lens to try out in the coming days and weeks.

I've taken the camera to some of my local haunts, the Vesting Museum and the fortress city of Naarden.

Images

All in all I am pretty pleased with the performance of the Exa Ia. I expected this to be a backup for my Exakta but it has really stepped up to be the main camera for my Exakta mount lenses. In fact, I am thinking of adding an Exa Ib to my collection to use in combination with my M42 lenses. This is how much I like this little camera.

Lens review: The Porst Color Reflex MC Auto 50mm f/1.4 G

This review is about the Porst Color Reflex MC Auto 50mm f/1.4 F lens. I must admit that I hadn't heard of this specific lens before I was doing research on its bigger brother, the Porst Color Reflex MC Auto 55mm f/1.2 F lens. As it happens, an eBay seller had both the 55mm f/1.2 (early f/22 version) and 50mm f/1.4 for sale. The f/22 version of the 55mm/1.2 went for € 139. I was however intrigued by the 50mm/1.4 so I bid on it and was able to purchase it for a mere € 56.

Like its bigger brother this lens was made in Japan for the German Photo Porst chain of camera stores. I have since managed to find that the Porst lenses in K mount were actually produced by Cosina, thereby confirming my hunch. It is no surprise that both lenses have the same kind of style, the later f/16 version of the 55mm/1.2 and this 50mm/1.4 look very much alike. 

The 50mm/1.4 has a nice solid feel to it. You can tell that these were lenses that were made to last. 

Specifications:

Focal length:                        50mm

Minimal focus distance:        0.5 meters

Aperture:                             f/1.4 - f/22

Aperture blades:                  8

Lens elements:                    7

Diameter:                            49mm

Mount:                                Pentax K

Manufacturer:                     Cosina

Built:                                  1970s-1980s

Use

This lens is equipped with the Pentax K mount. As with the 55mm/1.2 its focus ring turns to the left towards infinity. Again this may seem a bit unnatural at first for Pentax users as the Pentax lenses turn to the right.

Focusing is smooth and in general, the lens has a nice feel to it. I've used this lens with Pentax film cameras and with a digital Canon EOS camera via an adapter. Due to the design of the K mount these lenses will not fit APS-H and full frame EOS cameras, the mirror will hit the back of the lens. K mount lenses will only work on EOS cameras with an APS-C sensor (much like the EF-S mount). 

Images

The images you see below were shot with a Canon EOS 90D set at ISO 200. These images were converted from RAW to JPEG, slightly cropped (to just show the chessboard) and resized. No other actions were taken in Photoshop.

f/1.4

f/2.8

f/4

f/8

f/16

As you can see at f/1.4 subject isolation is great! Wide open it also shows chromatic aberration (CA) which disapears when the lens is stopped down. At f/4 it is almost gone and at f/8 there is no sign of it. Wide open there is also some vignetting, although this does not show on these slightly cropped images. As with the f/1.2 version I found it hard to focus with this lens on the EOS 90D which shows, the f/2.8 and f/4 shots are slightly out of focus. When using these lenses solely on AF cameras I do recommend getting a split-image focusing screen for better accuracy.

In the field

I fitted the Porst Color Reflex MC Auto 50mm f/1.4 G to my Pentax LX, loaded it with Fomapan 100, teamed up with fellow photographer Joeri van Veen and headed out for some shots. 

Photo: Joeri van Veen

In the field the lens is easy to operate, the fact that it focuses the 'other' way round did not hinder me in any way. And as for the results, judge for yourself:

The harsh winter light posed no problems for this lens. Only when shooting directly into the sun the back light bleached out the subject somewhat as can be seen below.

All in all I found this lens to be a solid performer, both wide open and stopped down. When using it with the Pentax LX I found focusing no issue at all, whilst using it with a digital camera without a split-image focusing screen was sometimes challenging wide open. For the price this lens is a fine performer for as far as I am concerned, this is a keeper.

Camera review: The Kiev 60

The camera

This review is about the КИЕВ 60 (Kiev 60) single lens reflex camera. Built by the Arsenal plant this Soviet (later Ukrainian) medium format single lens reflex camera was the successor to the КИЕВ 6C (Kiev 6S) camera model. The Kiev 6S was introduced in 1970 and was produced until 1986. The camera design was no doubt influenced by the 1956 East German Praktisix and copied its lens mount. Not only the Soviets were enamored by the 'big conventional SLR' design, the Japanese Asahi Optical Company released the Pentax 6x7 in 1969 that shares the same design philosophy. In fact, when I first laid hands on a Kiev 60 I was struck by how similar is was to the Pentax 6x7 - my first medium format camera. In 1984 the Kiev 6S was replaced with the Kiev 60 and this camera was built to at least 1999. It was sold by Arsenal for much longer though thanks to a formidable stockpile of Kiev 60s. In fact, one can still purchase new Kiev 60s, rebranded as ARAX 60s, today from ARAX which took over the Arsenal stock after Arsenal closed down.

My Kiev 60 as it was when I obtained it, fitted with an Arsat-C 80mm f/2.8

Specifications

Camera:                        КИЕВ 60 (Kiev 60)

Built:                            1984-1999

Mount:                          Pentacon 6

Shutter speeds:             2-1/1000 seconds, B

Self timer:                    yes

Mirror lock-up:            no

Film type:                    120 film

Weight:                        1,950 grams with lens

Light metering:            no, add-on TTL prism with light meters available

Battery:                        none for the camera, 3x LR44 for the TTL prism

Shooting

Like the Pentax 6x7, the Kiev 60 is a big son of a gun. There is nothing delicate about this camera, it was built like a T-55 tank and it will last a lifetime. It is a very straightforward camera, anyone with 35mm SLR camera experience will immediately know how to operate it. It shoots twelve of those big and gorgeous 6x6 negatives on 120 film. But the best thing of all: It uses the Pentacon 6 mount! Hello Carl Zeiss Jena lenses! So we've got a simple, usable design and those superb Carl Zeiss Jena lenses. Is all good? Well, there are issues reported with this camera. Some have overlapping frames and/or light leaks. Not so desirable. Also it has no mirror lock-up (MLU) which could be quite useful.

My Kiev 60 dates from 1994 and is thus an Ukrainian rather than a Soviet camera. It was originally bought by my uncle Wolfgang and he very kindly gave it to me. It hadn't been used for a while and when I ran a roll through it it had developed a light leak. I decided to have it refurbished by ARAX and MLU added. I also had it redone in a black finish and the mirror box flocked to reduce flaring.

My Kiev 60 after overhaul and modification

My Kiev 60 with a Carl Zeiss Jena MC Biometar 80mm f/2.8 fitted

Images

I took my Kiev 60 into the field today to see how it would perform after the overhaul and modification.

Kiev 60 with a Carl Zeiss Jena MC Biometar 80mm f/2.8

All in all my refurbished Kiev 60 really delivers. After the attention it got from ARAX this camera doesn't only look and feel like new, it works like new! No issues with film spacing, no issues with light leaks and a fully operational MLU. And using the Carl Zeiss Jena lenses without having to manually open up, focus and then stop down again is, well, a luxury.

I really like this camera. I realize that not everyone gets one as a present but these medium format cameras are still affordable. I would however recommend investing in having it refurbished if you're serious about shooting with it.